The only change on the deck: the line reads as a record ("two on you") and the tap now goes to the sit-down below instead of a general Lineup.

Every line here is corpus data. Alias and case number from the con's rap sheet, the habit line and gloss from the roster, the dates from his grudge records. Nothing invented at runtime. The mark under the portrait is the same object that appears under his card at the table.

The paper stays test-shaped: passage, stem, vertical A to D. The only thing the table adds is the hold-to-turn gesture and the chip saying he is in the hand. The heckler bar is the one Beat the Shakedown already has, fed from his own lines. Before a pick it never names a choice. Once the player has a card in hand it may needle that pick and only that pick, which is pressure without information.

Two commits, two tempos. Turning is a hold on a card (light detent, the card flips to its back and shows his mark). Taking the hand is the commit. Turning the wrong card is allowed; it is just a bad read, and the reveal says so. "Expose the plant" is the accessibility label on the hold and the hint under the chip.

Only one outcome adds a grudge: taking his card. The honest fourth cell is the spec's canonical rule that the rematch frame never claims a miss he did not cause. The parting lines are his existing payoff and exit lines.

The payoff is his own reasoning with the break marked. The Lineup rounds already carry the con's monologue and the index where it goes wrong, so this is content the bank has today. For a Wager item the same slot shows the distractor's mechanism line instead.

With the count at zero the hero slot goes back to a painted game. The con's portrait goes grey on the record, and the grudge count starts again from the next confident miss he causes.